With painting interiors, I’m always having to juggle color relationships and color schemes. And even thinking of how they might look together on a wall (as in an exhibition). By taking away the color component with drawing, it becomes more about the structure. I also have been having fun with different ways of applying the charcoal. Brushed on, dusted, rolled or stamped. This group of small charcoal drawings uses a cutout chair to mask the paper and create the ‘ghost chair’.